SPAM

                Dust we can’t quite catch

                you know i don’t care if you bleed

                Threw up on the I-95/ Trans Computations

               i am at the carnage of all things up the spout

                The Reckoning Was A Seam

                Nabubuhay Ako Dahil Sayo/ I Live Because of You

                Para Kay Felicissima / For Felicissima

                Untitled

                Victims of the War on Drugs

                Absurd Messengers

                A CIRCLE IS A BOY ; I WOULD LIKE AN IMAGE THAT REFUSES
                TO BE CORNERED

           
                Floor Poems
                   
                About/Contact
              



Dust we can’t quite catch
2025

sounds by Brian Eno, Holger Czukay, J.Peter Schwalm “Wasser”

duration / 17:09

Our movements entail the history and power relations we hold to land, community and our own bodies. By entangling found
and created media, I contend with how colonial violence is swept up in the invention of a national identity. Taking a closer look
at gestures reveals how embodied movement is an epistemology concerned with the Filipino body that resists; that migrates;
that labors; that performs. Through projected video collage, Dust we can’t quite catch complicates the nationalized dance
Tinikling, and relates it to how colonization and imperial war machines contaminate the gestures and movements of Filipinos.


Installation documentation below :
2025 BFA Parsons Photography Exhibition shown at the Pfizer Buiding, New York City

multi channel video collage ; color projection ; amber plastic ; wire rods